Sculptures - organic forms are based on populanym in the art of assuming that their form should be developed in analogy to nature. Through its shape to appeal to przrody, so something still alive. In the words of Henry Moore: "sculpture must have a life." They are not a specific representation of a shape, and only the interpretation, the echo of forms that somewhere, somehow I found in nature. As something organic and alive
are in contrast to an object such as ruins, symbolizing the transience, the transience of life, the power of nature, the fact that she wins in the final settlement. (Overgrown vegetation slowly bend each wall that is crumbling, falling apart.)
Sculpture, the assumption has to be a few, have the right to evoke the idea of \u200b\u200bthe series, something repetitive, endless: as nature. Their color is also not without significance. Yellow is the color of sunny, warm, evocative associations with power, light, sun, and therefore something that gives life, the life of the associate. Black, however,
is its opposite, and at least in our culture is associated with death, abandonment. A similar principle is heading in the choice of material. In contrast to the old, unsightly disintegrates and crumbles, my material is shiny forms, aesthetic, polished, gives the impression of novelty and modernity. Forms created in analogy to nature, but man-made, so artificial, and the artificiality
obnoszącą up.
sculptures made of fiberglass would be so called.:,, Fiberglass scuplure. " This is an excellent
material resistant to weathering, unbreakable, lightweight (transport), were drilled to allow the encroachment into it or other tools for such installations.
I think my sculptures wzbogaciłyby area where for them to stand.
Faced with the past, would be a considerable attraction for contemporary audiences.
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